Joe henderson page one download

In the s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected but generally rewarding Milestone dates.

On June 30, , Joe Henderson passed away due to heart failure after a long battle with emphysema. Sign In. Listen Now Browse Radio Search. Joe Henderson. Top Songs See All. Essential Albums See All. Mode for Joe Page One Multiple Tetragon By , though, Henderson had moved firmly beyond comparisons to Rollins and his predecessors, reinterpreting standards and contributing some of his own material to the jazz firmament.

On The State of the Tenor, Henderson pays tribute to saxophone titans Sam Rivers and Charlie Parker on the gorgeous Rivers ballad "Beatrice" and the more up-tempo Parker tune "Cheryl," confidently differentiating himself from these towering influences. Henderson was hard-edged where Rivers was lush, manic and disjunctive where Parker was calm and fluid, yet he gives hints of those softer traits in his homage.

After a series of flurrying arpeggios exploring the full range of the tenor, Henderson softens his blows and returns to the melody. The saxophonist dives into his solo quickly, playing with a vertiginous sound and fury reminiscent of Parker in his totality, yet so utterly himself; unlike most, Henderson actually plays more notes than Parker did.

Henderson further shows his tender side on the ballads "Ask Me Now," a staple of his repertoire; "Portrait," a Mingus composition that allows him to explore the complex harmonies he was known for; and "Happy Reunion," a delicate tune that features Henderson as bull in Duke Ellington's china shop. Henderson doesn't pull any punches on these ballads—subtlety was never his stock-in-trade—and in the ballad setting, he appears fully exposed.

The other two Monk tunes, "Friday the Thirteenth" and "Boo Boo's Birthday," showcase Henderson's technical mastery as he channels Monk's playful, syncopated style. The former tune begins with a subdued Carter introduction, interrupted by the keening entrance of Henderson on the melody.

From there, he telescopes outward into a storm of machine-gun runs. It's scorched earth of the saxophone variety. Pianist Bill Charlap makes his much-anticipated return to Blue Note Records after more than a decade with Street of Dreams, a stunning new album featuring his revered longstanding trio with bassist Peter Washington and drummer Kenny Washington. Named for the s standard penned by Victor Young and Samuel M Related Artists View All.

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